FIT Future of Fashion 2024

Homage to New York

Close-up side view of model wearing black silk taffeta Opera Coat

Royalty wrapped in black silk taffeta.

Side view full-length black silk taffeta gown with black floral lace flared sleeves.

Black silk taffeta gown with black floral lace, flared sleeves.

Back view of model in black opera coat and black silk taffeta gown with black floral lace and floral lace panel with hand-sewn rhinestones.

Black silk taffeta gown with black floral lace and floral lace panel with hand-sewn rhinestones.

Close up of center-back of silk taffeta gown with black floral lace and floral lace panel with hand-sewn rhinestones.

Silk taffeta gown with black floral lace and floral lace panel with hand-sewn rhinestones.

Model stands with outstretched arms wearing black silk taffeta gown with black floral lace, flared sleeves.

Black silk taffeta gown with black floral lace, flared sleeves.

Industry and automation consume us—work must stay vital to survive. This idea, paraphrasing Swiss sculptor Jean Tinguely’s words, feels more relevant than ever in a world where profit suffocates creativity. We’ve lost sight of making art for discovery, not just what sells. With his kinetaic sculpture Homage to New York, Tinguely embraced chaos. My thesis does the same—handcrafted, imperfect, alive. It rejects hollow trends and influencer clout. New York’s edge has dulled, but this is a rebellion—a love letter to the city’s grit, soul, and raw humanity.

Credits

Photographer: Macey Keung
Model: Liz Wood

Nathaniel Samuel

Nathaniel Samuel

New Jersey

Special Occasion

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